Brenda Portman is the Resident Organist at Hyde Park Community United Methodist Church in Cincinnati, where she provides music for worship services, accompanies the Wesley Choir and Cathedral Choir, and serves as Executive Director of the church’s renowned Organ Concert Series. She is also Adjunct Organ Instructor at Xavier University in Cincinnati. She recently completed a Doctor of Musical Arts degree (2016) in organ performance at the University of Cincinnati’s College-Conservatory of Music, where she received a full scholarship as first prize winner of the Strader Organ Competition and served as a teaching assistant for the organ department.
Dr. Portman has received numerous awards in organ competitions, spanning a decade: from First Place in the Albert Schweitzer Organ Competition in Connecticut (2006) to Finalist and Audience Prize winner in the Sursa American Organ Competition at Ball State University (2016). In October 2014 she was the only American woman to compete in the prestigious Canadian International Organ Competition in Montréal. Her performance there led to a collaboration with acclaimed Canadian composer Rachel Laurin and a recording on the 88-rank Casavant organ of HPCUMC Cincinnati: “Pilgrimages: Organ Music of Rachel Laurin Inspired by Sacred Themes,” which was released in April 2016 on the Raven label. Other prizes include First Place in the Arthur Poister Organ Competition (2007), First Place in the Bank District British/American Organ Competition (2009) - performing a winner’s recital at St. Paul’s Cathedral, London, and Third Place in the Rodgers North American Classical Organ Competition (2012). She has also been a finalist in the Fort Wayne National Organ-Playing Competition (2010) and a semifinalist in the AGO’s National Young Artists Competition in Organ Performance (2010).
Generated from her doctoral research on minimalism and twentieth-century Dutch organ music, Dr. Portman’s article “The Eclectic Landscape of Ride in a High-Speed Train,” about the above-named composition by Ad Wammes was published in December 2015 in The Diapason. Other recent activities include teaching at the 2016 Pipe Organ Encounter Advanced (POEA) in Cincinnati, judging AGO scholarship auditions, and presenting workshops on contemporary organ repertoire. She has served on the executive board of the Cincinnati AGO since 2011.
In addition to “Pilgrimages,” Dr. Portman recorded a CD of organ works of Edwin T. Childs entitled “All Might and Majesty” (2009) on the Schantz organ at College Church in Wheaton, IL. She commissioned Dr. Childs to write a new multi-movement organ work (Pentecost Suite) which she premiered in June 2014 for the tenth anniversary of the Organ Concert Series at HPCUMC. Also a composer, Dr. Portman writes primarily sacred choral, vocal, and organ works. Her concert settings of hymns for solo voice and piano have been highly acclaimed by many professional singers, and three hymn preludes for organ were included in the Bayoubüchlein (published by Selah) for the 2016 AGO convention in Houston. Her Elegy for solo organ was the winner of the Twin Cities AGO Composition Competition in 2016, and her musical setting of the commissioned hymn text “Christ, Who Was Before the World Began” won an award in 2014 for the 300th anniversary of Bruton Parish Episcopal Church in Williamsburg, Virginia.
More information is available at www.brendaportman.com
“Brenda Portman performs this demanding program with polish, security, and esprit...she possesses solid technique and authoritative musicianship...”
“Portman delivers flawless performances throughout with plenty of flair, bringing to life Laurin’s imaginative and demanding scores.”
“Brenda Portman is an enthusiastic advocate of Laurin’s music...all her performances reveal the quality of the music, the skilful writing and the myriad tone qualities available from this organ.”
“Brenda Portman’s recital… was a stunning combination of impeccable technique, remarkable warmth, and musical depth… This is a musician of the highest talent, musicianship, and creative energy. No one should miss an opportunity to hear her.”